The musician's mark
نویسندگان
چکیده
منابع مشابه
The Differences Between Musicians’ and Non-musicians’ Brains
As musicians, we subject our brains to a regime of training that is virtually unparalleled in its intensity and duration, not to mention the level of exquisite perfection we are expected to attain. Most of us started our instruments when we were very young, have practiced daily for hours ever since, and will continue to do so for many more decades. There is no other field that demands this sort...
متن کاملVisual memory in musicians and non-musicians
Many investigations have reported structural, functional, and cognitive changes in the brains of musicians, which occur as a result of many years of musical practice. We aimed to investigate if intensive, long-term musical practice is associated with improved visual memory ability. Musicians and non-musicians, who were comparable in age, gender, and education, were submitted to a visual memory ...
متن کاملفرایند دریافت E- Mark
با گسترش روزافزون صنعت حملونقل درجهان و ارتقای استانداردها، تدوین و اجرای استانداردهای بینالمللی، یک امر ضروری بهنظر میرسد. E- Mark یک مجموعه قانونهای هماهنگ بینالمللی برای خودرو و قطعههای آن است که تمامی تولیدکنندگان وسیلههای نقیله و قطعهها ملزم به رعایت آن هستند. تولیدکنندگان تایر نیز از این امر مستثنی نیستند و باید برای تایرهای خود این مجوز را دریافت کنند. در این مقاله روش دریافت E...
متن کاملOn the Mark and Markaracter Tables of Finite Groups
Let G be a finite group and C(G) be the family of representative conjugacy classes of subgroups of G. The matrix whose H,K-entry is the number of fixed points of the set G/K under the action of H is called the table of marks of G where H,K run through all elements in C(G). Shinsaku Fujita for the first time introduced the term “markaracter” to discuss marks for permutation representati...
متن کاملLexical tone perception in musicians and non-musicians
It has been suggested that music and speech maintain entirely dissociable mental processing systems. The current study, however, provides evidence that there is an overlap in the processing of certain shared aspects of the two. This study focuses on fundamental frequency (pitch), which is an essential component of melodic units in music and lexical and/or intonational units in speech. We hypoth...
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ژورنال
عنوان ژورنال: JAAD Case Reports
سال: 2018
ISSN: 2352-5126
DOI: 10.1016/j.jdcr.2018.06.006